Thanks for your patience! It’s almost impossible to experience things (jump over rocks) and post in the same day.
Yesterday, Fabio & I & editor Sierra Hahn & painter Dan Attoe hiked through the surreal terrain carved by Mt. St. Helens’ eruption.

Above, the interior view. Check Fabio’s blog for the grand landscape!
And wait… there’s more! A drawn tribute by Dan Attoe. Click back to Fabio’s for a CLOSE-UP VIEW.

“BLOG WAR” might not be the best title. More like a “blog crossover”. Brazilian cartoonist Fábio Moon is visiting Portland, and we’ll try to
document some of our activities in a back-and-forth dialog between the two blogs — blending our sketches, inking each others’ drawings, etc.
Yesterday, after consuming much coffee, we attended the in-store album debut for Menomena MINES. Our evening continues at Fábio’s blog… HERE.

SPECIAL NOTE: By now, the Atlantic Center for the Arts has notified applicants of my Associate Artist selections for the October residency.
I just wanted to thank everyone who submitted proposals. There was so much amazing work that it made the selection process challenging
and frustrating, but also bodes well for the future of the comics medium! Keep working on those projects!
Below, piles of preparatory sketches for HABIBI pages.

Just as Kirk mentioned, I’ll be doing an “artist demo” at the Portland Art Museum on June 19th, 2-4pm.
It’s all part of the museum’s summer-long exhibition of Robert Crumb’s Illustrated GENESIS. For those in town, I’ll be drawing live
and projected while simultaneously giving a talk. For those out of town, do pick up a copy of Crumb’s amazing adaptation
if you haven’t already. Here’s a couple of comparative panels of the deluge.

PS — work on Habibi is progressing well. Happy summer, everyone!

Paul Gauguin‘s influenced some of my drawing lately. A) a recent pin-up for Mike Allred’s MADMAN referencing Gauguin’s 1897 painting.
B) Gauguin’s “MANAO TUPAPAU” translated as “the spirit of the dead keep watch” … C) flipped backwards in a HABIBI panel this week.

OTHER NOTES: 1) Last minute reminder to apply for the ACA graphic novel residency. The deadline is May 21st.

2) Nicolas, sorry to neglect your 5 questions. If it’s not too late, here’s some quick answers.
a) Artist that inspired you? Baudoin (see below), Gauguin (see above), Blutch, Taro Yashima, Dylan Horrocks, etc., etc.
b) What brush size do you use? The pro-fave Winsor Newton series seven, number three
c) Thumbnails and then script to help guide you or script first and then thumbs? The thumbnails are detailed drawings with text already integrated.
d) Favorite story to read? Currently IN LOVE with the short stories of Lorrie Moore.
e) Favorite character to draw? I suppose the little critter guy from CARNET DE VOYAGE. (seen here riding sea turtle)

3) Dave, you asked about Edmond Baudoin. LE VOYAGE is a perfect entry point, but appears out of print. Anything really!
4) Jess, you guessed correctly. The dootdoot website is down and outdated and planned to be revamped.
5) Thank you all for your comments and patience with my slowness!

Portland’s Stumptown Comics Fest is fast approaching, and I’ll be participating on Sunday, April 25th, with a signing and presentation.
For those of you who are local or able to attend, I’m curious what topics, images, and formats you’re craving. It seems like the last three years
I’ve just talked about progress on HABIBI — at least this time it’s only a couple of months from completion. What can I do to make this round
more fulfilling for the audience? … My apologies to all of you that aren’t local. In 2011, I promise to be touring EVERYWHERE!

The poster this year is created by my good buddy Theo Ellsworth. (couldn’t find a decent jpeg…)

In other news, Mathew sent a question about the Atlantic Center for the Arts residency. Send in as many ideas/proposals as you wish!
However, since I can only choose eight “Associate artists”, the more realized the proposal the better.

First off, some quick answers to your questions. Tina, hopefully these are in time for your school project.
1) How would you describe your style of drawing?
Plain ol’ cartooning; but whereas Chris Ware talks about cartooning as typography, I think of it as calligraphy.
I like the panel borders, lettering, brush or pen lines to all read as the author’s handwriting.
2) Why don’t you call “Blankets” a graphic novel but “an illustrated novel”?
No good reason. I think, at the time, I was considering “comic book” or “graphic novel” and found them both lacking.
Since then, the latter has become such a widely accepted term that I’ll likely adjust the heading on the new edition.
3) Would you say that Blankets has started a new form of comics as you included some pages which you wouldn’t find in a
comic book normally like the pages on which there is only one big panel or all the drawings in which you can see just nature?
That technique of letting the eye breathe on full-page images has long been used in manga and bande dessinée. And super hero splash pages!
4) Why did you insert those detailed drawings of nature and why did you insert so many of them?
When I think about it a second longer, it’s definitely a manga-rip-off. The “wandering eye” transitions that Scott McCloud discusses in his books.

Corban, I never actively sought out a publisher. I just happened to be in the right place at the right time. Upon moving to Portland in 1997,
I got in contact with Brett Warnock who ran a one-person operation called Primal Groove Press, and I helped as a grunt for midnight
photocopy sessions. Contact some publishers to see how they prefer project proposals. There’s editorial advantages to both methods.

Sorry, Allison, but I am looking for writer-artist-in-one cartoonists to work with at the ACA residency.

And finally some visuals! This recent page reminded me of a drawing I did in 2005 for a charity auction for my friends the Decemberists.

The lyrics at right are, of course, copyright Colin Meloy. Random trivia: What Decemberists’ video sneaks in copies of BLANKETS?

Happy New Year, Everyone! HABIBI progress updates coming soon(ish). In the meantime, heads-up that the Atlantic Center for the Arts
Residency program is focusing on GRAPHIC NOVELS in October 2010. Each year they provide interactive work spaces for writers, artists,
choreographers, composers, etc., hosting fancy folks from Robert Rauschenberg to Edward Albee to Saul Williams. This year – Paul Pope,
Svetlana Chmakova, and myself will be acting as “Master Artists” and hand-selecting eight “Associate Artists” (a piece) to work with.

HABIBI should be wrapped up, so I expect to indulge in new projects and have plenty of attention to devote to other artists.
I mention it now, because May 21, 2010 is the deadline for applications. And here’s what I’m asking of applicants:
“Applicants should submit a proposal for a graphic novel: an outline of the narrative, and samples of finished comics pages (from previous work or the current project). But artists will benefit most if they can bring a finished first draft in an edit-able form to the residency. This could be in typed screenplay format, though I favor a hand-drawn thumbnail which includes text AND image, and is drawn legibly so others can read and offer comments. In this form, we can discuss narrative individually or as a group, hone preliminary craft like reference poses, or dive into finished artwork.”
Pictured above:
a self portrait by Paul Pope (an obvious influence on my own work), the ACA studios nestled in a sea of pine, and a pile of BLANKETS thumbnails.

A toast to you, blog readers, for staying in touch year round!
If women, water, and trees are what I most enjoy drawing, than BUILDINGS rank last. Chapter seven has lots of them, and I keep getting slowed
down by tedious perspective drawings. Here’s a photo reference from an overpass construction site near my house — along with pencils and inks.

Even though my schedule slipped a bit in December, it’s safe to declare that 2010 will be the year HABIBI sees completion.
Below, a photo from my birthday in the frigid Pacific waters. Here’s to the new year!

Sorry about the blog neglect. November rain is falling; and I’m still working on rewrites. Embarrassed that I have nothing new to show.
Here’s the desktop today, my waterlogged jack-o’-lantern, and a reference doodle from the sketchbook.